St. Louis self-portrait, 1947

Considered one of the most influential figures in the history of photography, Frank redefined the aesthetic of both the still and the moving image via his pictures and films. Soon after his emigration to New York in 1947, Alexey Brodovitch hired Frank as a fashion photographer for Harper’s Bazaar. The position brought many occasions for travel, and Frank’s impressions of the United States, in comparison to other places, impacted his work.

Tickertape / New York, 1951

After receiving his first Guggenheim Fellowship in 1955, Frank embarked on a two-year trip across America during which he took over 28,000 pictures. Eighty-three of those images were ultimately published in Frank’s groundbreaking monograph The Americans. First printed by Robert Delpire in 1958 in Paris, and a year later by Grove Press in the United States. Frank’s unorthodox cropping, lighting, and sense of focus attracted criticism. His work, however, was not without supporters. Beat writers Jack Kerouac and Allen Ginsberg felt a kinship with Frank and his interest in documenting the fabric of contemporary society. Eventually “The Americans” jettisoned Frank into a position of cultural prominence; he became the spokesperson for a generation of visual artists, musicians, and literary figures both in the United States and abroad.

Rodeo - Detroit, 1955

In 1959 Frank began making films. They are characterized by an improvisational quality that belies their careful planning. His 1972 documentary of the Rolling Stones on tour is perhaps Frank’s best-known film. When he returned to still photography, his work began to include autobiographical elements and a snapshot aesthetic. He also created narratives using text and multiple frames of images whose negatives he deliberately scratched and altered. In a career spanning over fifty years, Frank inflected his perspective on our world-at-large to produce a body of work that defies easy classification beyond its singularly experimental nature.

Look Out For Hope, Mabou - New York City, 1979

Attention to Frank’s filmmaking increased in the 1980s; in 1981 his films were screened at the prestigious Film Festival in Rotterdam. “Robert Frank: Fotografias/Films 1948-1984” was exhibited at the Sala Parpallo, Valencia, Spain, in 1985, and a year later the Museum of Fine Arts, Houston, organized “Robert Frank: New York to Nova Scotia,” which traveled to the Museum Folkwang, Essen, Germany, in 1987. The American Film Institute in Washington, D.C., hosted the 1987 retrospective “In the Margins of Fiction: The Films of Robert Frank.” The same year “The Lines of My Hand” appeared at the Museum für Gestaltung, Zurich. In 1994, the National Gallery of Art, Washington, D.C., organized the exhibition “Robert Frank: Moving Out,” which traveled to the Kunsthaus Zurich, the Stedelijk Museum in Amsterdam, the Whitney Museum of American Art in New York, and the Yokohama Museum of Art. In celebration of Frank’s 1996 Hasselblad Foundation award, the exhibition “Flamingo” was shown a year later at the foundation’s center in Göteborg, Sweden.

Untiltled (from "Pull My Daisy”), 1959

Important exhibitions include “Robert Frank: HOLD STILL – Keep Going” originating at the Museum Folkwang, Essen, and traveling to the Reina Sofía in Madrid and the Centro Cultural de Belém in Lisbon (2000-01) and “Robert Frank: London/Wales” at the Corcoran Gallery of Art, Washington, D.C. (2003). In 2004 the Tate Modern in London organized “Robert Frank: Storylines,” showcasing over 150 of Frank’s prints and a program highlighting many of his films and video projects. The retrospective traveled to the Museu d’Art Contemporani in Barcelona and both the Fotomuseum and Fotostiftung Schweiz in Winterthur, Switzerland (2005). Museum Folkwang opened “Robert Frank: Paris” in 2008 and this exhibition and traveled to the Museo di Fotografia Contemporanea, Milan (September-November 2008), the Jeu de Paume, Paris (January-March 2009), and the Nederlands Fotomuseum, Rotterdam (April-May 2009); “Looking In: Robert Frank’s The Americans” which opened at the National Gallery of Art, Washington in January 2009 and traveled to the San Francisco Museum of Modern Art (May-August 2009) and the Metropolitan Museum of Art, New York (September-December 2009). In 2018, the Art Institute of Chicago exhibited “Robert Frank:Photos” and The Albertina Museum in Vienna, Austria presented “Robert Frank”. Most recently in celebration of Frank’s Centennial, The Museum of Modern Art, New York presented “Life Dances On: Robert Frank in Dialogue” A major retrospective encompassing six decades of Frank’s career which also included a film retrospective.

Charity ball - New York City, 1954

Frank was the recipient of many honors, including two Guggenheim Fellowships, the first awarded to a European photographer (1955, 1956); an American Film Institute grant (1970-71); the Deutsche Gesellschaft für Photographie Erich Salomon Prize (1985); the Friends of Photography Peer Award for a Distinguished Career in Photography (1987); the Hasselblad Foundation International Award in Photography (1996); the International Center of Photography Cornell Capa Infinity Award (2000); an honorary Ph.D. from the University of Göteborg (1999); and the Edward MacDowell Medal (2002).

His work can be found in collections worldwide, including the Art Institute of Chicago; the Corcoran Gallery of Art, Washington, D.C.; the Detroit Institute of Arts; Fotomuseum Winterthur, Switzerland; the George Eastman House, Rochester; Maison Européene de la Photographie, Paris; the Metropolitan Museum of Art, New York; the Museum Folkwang, Essen, Germany; the Museum of Modern Art, New York; the National Gallery of Art, Washington, D.C.; the National Gallery of Canada, Ottawa; the Philadelphia Museum of Art; the San Francisco Museum of Modern Art; Stiftung fur die Photographie, Kunsthaus, Zurich; the Tate Modern, London; the Victoria and Albert Museum, London; and the Whitney Museum of American Art, New York. In 1990 the National Gallery of Art in Washington, D.C., established the Robert Frank Collection.

Mabou, Nova Scotia, 1977